Robin Whitehouse

My artistic practice is rooted in exploring the relationships between objects, histories, and the spaces they inhabit. Through sculpture, installation, and research-based projects, I investigate the layers of meaning embedded within materials and sites, aiming to reveal the narratives they carry.

A significant aspect of my work involves engaging with institutional histories and the physical remnants they leave behind. For instance, my project at the Royal Academy of Art in The Hague involved unearthing a buried collection of plaster casts, a hidden legacy of the institution's past. By bringing these fragments to light, I sought to reconnect the present with overlooked aspects of the academy's heritage, prompting reflection on how history is preserved or forgotten.

Collaboration and context are central to my approach. In projects like "Lobster and shrimp on my plate, I need my pockets so fat they inflate," co-created with Todor Rabadzhiyski, we examined the socio-economic symbolism of lobsters, tracing their journey from humble sustenance to luxury commodity. Through installations combining sculpture, painting, and performance, we explored themes of consumption, value, and transformation.

Ultimately, my work aims to create dialogues between the past and present, the material and immaterial, inviting viewers to consider the complex interplay of history, culture, and identity within the spaces we occupy.

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